
I was very excited when I heard that Saira Rao was publishing a novel based on her clerkship experience. Not only did this promise to be a dishy novel about clerking (a subject near and dear to my heart), but it takes place in my courthouse, so I was sure to recognize familiar people and surroundings. The results, however, were most disappointing.
Though I question her judgment (it’s hard to believe that any law firm would even think of hiring her at this point and I’m shocked by the number of firms that are hosting readings), I have no ethical or philosophical problem with Rao’s decision to write a tell-all novel about her clerkship experience. (Scott Burris does, however, make a good point about how difficult it is for Judge Sloviter, for whom Rao clerked, to avoid being tarred by her broad brush.) But if I’m going to devote my time to a book, it should (at a minimum) either make me think or entertain me. Chambermaid does neither.
First, Rao’s narrator and heroine (cleverly named Sheila Raj to avoid any possibility that she might be understood as having anything in common with the author) is an unlikeable companion in every way. (I will make no attempts to compete with James Grimmelmann’s characterization of her as a “raving narcissist,” which is particularly apt. He also supports this contention with some representative samples of her unpleasantness, which serve to give you a feel for the experience.) Before the end of the first chapter, I was already tired of spending time in her company. To make matters worse, because we see everything through her eyes (and she doesn’t like any of it), it is difficult to develop any empathy with anyone in the book (except maybe the poor saps who have to endure Sheila’s company).
Second, and perhaps more importantly, Chambermaid’s characters bear no resemblance to real people. They don’t remind you of people you know (thank God), they don’t respond believably to their surroundings, and they don’t grow or change in a realistic way. Because this is a first-person narrative, we’re hamstrung by Sheila’s inability to understand those around her. She doesn’t pick up on any of the nuances that would make them seem like real people, so she’s unable to share them with us.
Finally, the book is full of moments that just make you wrinkle your forehead and wonder how this can have been written by someone who’s been through this process. We’re expect to believe, for example, that Sheila has graduated law school and been hired as a federal clerk without ever having come across the term en banc. And that she only realizes on her first day that she needs a good suit. (What, I wondered as I read this, did she wear to her interview? Or, for that matter, her first day of work?) Individually these moments aren’t such a big deal, and they exist to serve the plot, but they start to wear on a reader, particularly given that only lawyers (and, in particular, clerks) are likely to be interested in this book at all. The most egregious is that Sheila seems to work on only a single case for her entire clerkship. Although we are treated to vague references to how much work there is, we never actually see her do anything except work on the death penalty case that forms the centerpiece of the plot.
All of this might be forgiveable (or might well go unnoticed) if the book were funny. But it’s not. I didn’t laugh. (I might have smiled once.) It was occasionally gross, and frequently over-the-top, but never actually funny. And so, in the end, it served no purpose at all. Oh well…at least it was a quick read. If you’re going to waste my time, at least do it quickly.